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Amplifying Institutional Evolution

Nearly a year ago, Angela Brazil and Stephen Thorne, two members of Trinity Repertory Company’s resident acting company, met with me, the Community Engagement Coordinator, to talk about A Christmas Carol. Having acted in the show many times, they’d recently signed on to direct the 40th anniversary production, and wanted to use this Rhode Island tradition to amplify our institution’s commitment to community engagement. They dreamed of incorporating different community groups every night, connecting our audiences to work and people they might not otherwise know. Angela explained, “This is a story about someone who's chosen to isolate himself from his community, at great cost to that community and to himself. In the end, through an act of grace, he chooses to re-enter—as painful and complicated as that decision can be. He decides to come back because being with our community is how we retain our humanity. In our current fractured landscape, the importance of community, of looking at ..

Americans for the Arts Joins Federal Amicus Brief in Support of Free Speech Rights...

On January 5, 2018, Americans for the Arts joined 17 national, state, and local arts service organizations as amicus curiae in the Pulphus v. Ayers case in the U.S. Court of Appeals for the District of Columbia, urging reversal of a ruling that permitted Architect of the Capitol Stephen Ayers to remove a painting by St. Louis high school student David Pulphus from a Congressional Art Competition exhibit at the U.S. Capitol. Left unchallenged, this case could create bad legal precedence for many local and state arts or education agencies that install temporary art exhibits in government buildings. Americans for the Arts believes that arts education and creative expression is a central right of every young person. A vital component of learning in and through the arts is connecting artwork to one’s self, one’s community, and the greater world, as well as presenting the work to real audiences. This type of quality arts learning is what happened in the case of David Pulphus. In alignment wi..

All about Art search engine

Artmotion Search engine is not a simple directory. Our search engine is a spider, (crawler), are used by Internet to collect information about art...

Mural at Mirror Maze in Pier Park

If you’ve been to the Mirror Maze in Pier Park, you’ve surely noticed the gigantic mural on their walls. This was one of Andy’s first big commissions. He painted it in October 2008, long before being a professional working artist was on his radar. (I’d say that painting this mural was what really motivated him to pursue being a full-time artist, although his first official introduction to the public was at an art festival in March 2010.) Andy’s mural at the Mirror Maze in Pier Park is 12 feet tall and 65 feet wide. It’s loosely based on Pier Park itself, featuring coastal architecture, palm trees, and the nearby beach. His signature can be found beside a palm tree by the front door. Next time you visit Pier Park, stop by Mirror Maze and check it out! Related PostsLet's block ads! (Why?)

Symphony in Black and White – My 100 Days Project for 2017

Symphony in Black and White 100 Day Project – 2017 ©Lisa Call fabric, textile paint, thread, acrylic paint, canvas 5 x 5 inches each (13 x 13 cm each) My 2017 One Hundred Days ProjectMy brief for this year’s 100 day project, which ran from May 22 to August 29: An exploration as to how I might incorporate mark making into my textile paintings. I will use a variety of tools and techniques to make the marks. The final result of each day’s exploration will be a completed 13×13 cm (5×5 inch) tile. I will limit my colors to (mostly) black and white to focus on the marks and composition without getting seduced by color. I had explored mark making in the past but never with much discipline or for extended periods of time. Inevitably I would revert back to my hand dyed fabrics. I limited my colors to just black and white to narrow down my focus to just the mark making. I originally left it open to include bits of color although I found it wasn’t necessary so I stuck with just black and white. C..

Faces of Santa Rosa by Kyle Paxton

portrait by Kyle Paxton | 36×48 inches | Oil on PanelSouth Walton artist Kyle Paxton is currently working on “FACES of SANTA ROSA.” It’s an exhibit featuring between 10 to 20 portraits; sharing the stories of the day-to-day people of Santa Rosa Beach/South Walton. He desires to capture the people who make Santa Rosa Beach what it is today; as a unique place to live, work, and visit. This is part of his mission for culture care; to leave a deposit of work to benefit his community and even those beyond. He desires this show to be one of the most significant exhibits for his local community. It will be his biggest show to date. In Kyle’s words: “I’ve known Andy as a fellow artist, friend, and surf buddy for the past couple years. Andy is considered one of the most well-known artists in South Walton. I guess it makes sense he received the 2013 South Walton Artist of the Year and Best Local Artist three years in a row. Not only is Andy highly acclaimed in the local arts, but he is a great p..

May I Have This Dance and Finding Our Way – More Black and White

©Lisa Call May I Have This Dance fabric, textile paint, thread, acrylic paint, canvas 12 x 16 inches (30 x 41 cm) I Love Mark Making!After completing my 100 day project in 2017 I knew my art practiced had changed. Mark making is now an important part of my process. I love it! While I don’t see that I’ll be using it in all of my textile paintings going forward, certainly for the foreseeable future it will be featured quite a bit. I love the patterning and fine detail it adds to the work. And I love that I have so much to learn about how to incorporate it into my compositions. This was exactly what I was looking for last year, I was looking to reinvigorate my studio time. Making pieced improvisational textiles had gotten too easy. I was a little bored with it, hence the reason I declared my Structures series over in 2016. These first two larger works are just a start at what I intend to be an in depth exploration into the marriage of mark making and improvisational pieced compositions. ..

A Conversation with Outgoing Board Chair Abel Lopez

Earlier this month, we had the opportunity to speak with Abel Lopez, outgoing Chair of the Board of Directors at Americans for the Arts. As Chair since 2013, Abel has been an instrumental part of the growth of Americans for the Arts, particularly in sustaining leadership, developing goals as part of the organization’s most recent Strategic Plan, and spearheading the Statement on Cultural Equity. In addition to his leadership with Americans for the Arts, Abel is also involved in the creative arts community as the Associate Producing Director of GALA Hispanic Theatre. He has directed productions at GALA, Horizons Theatre, DC Arts Center, The John F. Kennedy Center for the Performing Arts, Source Theater, In Series, and other venues in Washington, D.C., and across the United States and the world. In this interview, Abel talks about his history with Americans for the Arts, his experience as Chair, and his excitement for the future of Americans for the Arts and the nonprofit arts and cultu..

Art Redo

Sometimes Andy thinks a piece is done, but after a few months he changes his mind. This was the case with Sound of the Sea. Time for an art redo! As you can see, he added a lot of color and a few mixed media elements. This piece is 25 inches wide and 54 inches tall, and available for $1500. Related PostsLet's block ads! (Why?)

We Should All Value the Artists and Their Vital Role in Our Communities

My business travels take me to one city a week on average. From Des Moines to Miami to Portlands both east and west, the first thing my hosts usually show me is the work of a local artist, whether at the airport or on a stage. When I think back over 2017, I have a clear mental montage of my travels, and it serves as a reminder that art and artists are integrated into everything—from the sights of our cities and communities, to who we are. Artists are also at the core of what my organization, Americans for the Arts, does. They are deeply integrated into our advocacy and community building efforts. While in recent years actor Kerry Washington testified before Congress on arts funding as a member of the Americans for the Arts’ Artists Committee, as early as the 1960s artists like Harry Belafonte and Ralph Ellison were making a significant difference in the work of Americans for the Arts. Singer-songwriter and arts activist Harry Chapin famously said in a conference keynote address, “Let’s..

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